Protest: Denigration of Hindu Saints in Marathi play ‘Ghaalin lotangan..’

Shravan Krushna Chaturdashi, Kaliyug Varsha 5112

Are the powerful Hindu Organisations going to at least register protest in the matter or going to keep quiet as usual?

Hindu Saints and life in the ‘Ashrams’ slandered in the Marathi play ‘Ghaalin Lotangan..’ !

Thane (Maharashtra): Mr. Santosh Pawar, the director of the controversial play ‘Yadaa Kadaachit ..’ has now slandered Hindu Saints and life of devotees living in the Ashram in his new play ‘Ghaalin Lotaangan..’ (Hindus must note that had heretic Santosh Pawar been stopped from denigrating Deities in his play ‘Yadaa Kadaachit’, he would not have dared to once again indulge in such denigration ! –Editor SP)

Recently, a show of the above play was staged at ‘Gadakari Rangayatan’ when the mockery came to light. On the ticket issued for this play, ‘Krushnavataari H. H. Va Raajkaaraninchya Yuti cha Dhammaal Gopaal kaalaa’ was written. (Lack of unity among Hindus is the reason that anti-Hindus are making mockery of Hindus’ objects of worship. Would they dare to make mockery of things worshipped by Muslims? – Editor SP) The play has been produced by ‘Om Natyagandha’. The concept of this anti-Dharma play is of Manohar Nare and the writer is Dnyanesh Maharao. (Hindus must keep a note of these anti-Hindus ! – Editor SP)

There is a central character named ‘H. H. Chilate Maharaj’ in this play. How he cheats the educated unemployed youth, doctors, engineers, professionals etc. who leave everything behind like their jobs and family etc. and start living in the Ashram despite opposition from their family members is shown in this play. (All politicians in this country are exploiting the citizens and it is necessary to unmask their true nature; but the writer has given priority to defame Saints. This makes it imperative to revolutionise our thought process ! – Editor SP) It is also shown that the Ashram is full of young men and women and their involvement in each other. (Living in an Ashram has great significance in Indian culture. Even the foreigners, who get carried away with materialistic world, have been quite influenced by the Ashram life; but the writer Maharao and Director Santosh Pawar have shown their perverted mentality by insulting Ashram-life. There is no doubt that such playwrights would take the citizens to destruction ! – Editor SP)  

There is a criticism on the character of H. H. Chilate Maharaj that he calls himself as His Holiness (H.H.) and an incarnation of Sri Krushna. It is also shown that he claims that he talks to the Deities and thus deceives people. The members of an organisation called ‘BUNIS (Buvabaji Nirmulan Samiti)’ raise voice against this Maharaj but they are countered by the people of the ashram who are helped by members of ‘Janajagruti Organisation’. ( It is an attempt to glorify an organisation like ANiS by using the name as ‘BUNIS’ and malign the image of pro-Hindu organisation like Hindu Janajagruti Samiti by using the word ‘Janajagruti’ ! – Editor SP)

There are scenes in the play like police arresting the Maharaj to defame him, devotees using products sold in the Ashram like oil and ‘vibhuti’ to cure any ailment, Maharaj collecting 500 crores to build the ashram and the sick persons in the ashram using cloth strips (like Sanatan seekers use ‘pattis’ for remedy) in this play.

Source: Daily Sanatan Prabhat

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